{"id":4408,"date":"2024-05-21T13:15:14","date_gmt":"2024-05-21T11:15:14","guid":{"rendered":"https:\/\/studiorizoma.org\/?post_type=residence&#038;p=4408"},"modified":"2024-07-23T15:22:31","modified_gmt":"2024-07-23T13:22:31","slug":"abou-bakar-sidibe","status":"publish","type":"residence","link":"https:\/\/studiorizoma.org\/pt-pt\/residence\/abou-bakar-sidibe\/","title":{"rendered":"Abou Bakar Sidibe"},"content":{"rendered":"\r\n<div><span lang=\"EN-US\">On his journey from Mali to Germany, Abou Bakar Sidib\u00e9 spent fifteen months at the border fence in Melilla. He documented the fates of the people at the border with his camera, resulting in the multi-award-winning film &#8220;Les Sauteurs &#8211; Those who jump&#8221;. He then made the short film &#8220;ma nouvelle vie europ\u00e9enne&#8221; about his first months in Germany and the bureaucratic hurdles he faced. In his films, Sidib\u00e9 is always the protagonist and cameraman at the same time; he embodies the dual identity of a migrant and an artist. With &#8220;Campobello&#8221;, Sidib\u00e9 continues his documentary investigation into the realities of life for migrants from West Africa around the borders of Europe.\u00a0<\/span><\/div>\r\n","protected":false},"featured_media":4409,"template":"","_links":{"self":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/residence\/4408"}],"collection":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/types\/residence"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media\/4409"}],"wp:attachment":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media?parent=4408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}