{"id":6383,"date":"2026-03-19T10:36:09","date_gmt":"2026-03-19T09:36:09","guid":{"rendered":"https:\/\/studiorizoma.org\/?p=6383"},"modified":"2026-03-19T10:39:45","modified_gmt":"2026-03-19T09:39:45","slug":"a-focus-on-between-land-and-sea-2025-ep-5-marie-aurore-dawans","status":"publish","type":"post","link":"https:\/\/studiorizoma.org\/pt-pt\/editorial\/a-focus-on-between-land-and-sea-2025-ep-5-marie-aurore-dawans\/","title":{"rendered":"A focus on: Between Land and Sea 2025\u2028 – Ep.5 Marie-Aurore D\u2019Awans"},"content":{"rendered":"

The Between Land and Sea 2025<\/strong> catalogue brought together contributions that explored this edition\u2019s theme, \u201cSignificato\u201d as a shared space between experiences, imaginaries, and possibilities for connection.<\/p>\n

For the festival, Marie-Aurore D\u2019Awans<\/strong> presented \u201cSilence du C\u0153ur\u201d<\/i>, a choral work created in dialogue with Eva Maria Bertschy<\/strong> and inspired by the work of Mohamed Mbougar Sarr, which staged the arrival of a group of young migrants in a Sicilian village. Through languages, memories, and traumas, the performance built a collective landscape in which the stage becomes a space for listening, crossing, and transformation.<\/p>\n

In her contribution to the catalogue, echoing the words of Mohamed Mbougar Sarr, a reflection emerges on what connects people beyond their differences. Welcoming is not only about offering help, but about truly recognizing the other and their story.<\/p>\n

 <\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Between Land and Sea 2025 catalogue brought together contributions that explored this edition\u2019s theme, \u201cSignificato\u201d as a shared space between experiences, imaginaries, and possibilities for connection. For the festival, Marie-Aurore D\u2019Awans presented \u201cSilence du C\u0153ur\u201d, a choral work created in dialogue with Eva Maria Bertschy and inspired by the work of Mohamed Mbougar Sarr, […]<\/p>\n","protected":false},"author":3,"featured_media":6384,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/posts\/6383"}],"collection":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/comments?post=6383"}],"version-history":[{"count":2,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/posts\/6383\/revisions"}],"predecessor-version":[{"id":6393,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/posts\/6383\/revisions\/6393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media\/6384"}],"wp:attachment":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media?parent=6383"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/categories?post=6383"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/tags?post=6383"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}