{"id":7125,"date":"2026-11-03T10:45:50","date_gmt":"2026-11-03T09:45:50","guid":{"rendered":"https:\/\/studiorizoma.org\/?post_type=event&p=7125"},"modified":"2026-11-03T10:45:50","modified_gmt":"2026-11-03T09:45:50","slug":"tewa-barnosa-in-collaboration-with-ghenwa-nware-abou-fayad-rumors-in-the-roots-ghosts-in-the-garden-francesca-heart-live","status":"publish","type":"event","link":"https:\/\/studiorizoma.org\/pt-pt\/event\/tewa-barnosa-in-collaboration-with-ghenwa-nware-abou-fayad-rumors-in-the-roots-ghosts-in-the-garden-francesca-heart-live\/","title":{"rendered":"Tewa Barnosa in collaboration with ghenwa (nwar\u00e9) abou fayad \u2013 Rumors in the Roots, Ghosts in the Garden + Francesca Heart LIVE"},"content":{"rendered":"

Silphium, an ancient plant native to Libya, is historically considered the first documented case of human-induced extinction. The performance evokes its return through a reflection on \u201cprophecy as politics\u201d, weaving together myth, memory and the hidden histories of Italian fascism.<\/span><\/p>\n

The work combines spoken word, soundscapes, archival and imagined imagery, and is created in collaboration with artist Dina Jereidini. It pays tribute to Amazigh oral traditions and Bedouin poetry, drawing on the memories of survivors of the Italian concentration camps in Libya, which operated between 1911 and 1942.<\/span><\/p>\n

Single ticket: \u20ac12<\/b><\/p>\n

Bio | Tewa Barnosa<\/span><\/p>\n

Tewa Barnosa (1998) is an interdisciplinary artist and cultural practitioner living and working between Tripoli and Amsterdam. Her practice spans installation, painting, film, sound works and performance. Her work investigates forms of spatial and infrastructural violence, fascist technologies, and inherited memories of territories, people and species that survive the consequences of genocidal and ecological continuities.<\/span><\/p>\n

She attended the Institute of Sonology at the Royal Conservatoire in The Hague in 2024\u20132025 and was an artist in residence at the Rijksakademie van beeldende Kunsten from 2021 to 2023.<\/span><\/p>\n

Bio | ghenwa (nwar\u00e9) abou fayad<\/span><\/p>\n

ghenwa (nwar\u00e9) abou fayad is a Lebanese artist and performer working across sound, installation and collective practices. Her research explores language, oral history, repetition and sociopolitical narratives through storytelling and improvisation, conceiving performance as a living archive shaped by memory and embodied experience.<\/span><\/p>\n

In <\/span>Rumors in the Roots, Ghosts in the Garden<\/span><\/i>, she creates a live soundscape and performs songs in tribute to poetic resistance in the concentration camps in Libya, through the figures of Fatma Uthman (1928) and Rajab Buhwaish (1932).<\/span><\/p>\n

Francesca Heart \u2013 Live<\/span><\/p>\n

Francesca Heart\u2019s music is a dreamlike vision in which ancient Mediterranean influences meet digital imaginaries. Her research explores fantasy, fragility and the grotesque dimensions of the sea.<\/span><\/p>\n

Drawing inspiration from 1980s soundtracks and the landscapes of early 2000s video games, she weaves together experimental electronics, voice and enveloping synthesizers. Her sound is intimate and otherworldly, unsettling and serene.<\/span><\/p>\n

The hypnotic tones of the shell lead listeners into a mysterious, almost mythological sonic dimension that seems to emerge from the depths of the sea and the remote reaches of the cosmos, suspending time.<\/span><\/p>\n

Event in collaboration with Iperibleo.<\/span><\/p>\n

Single ticket: \u20ac12<\/b><\/p>\n

Bio | Francesca Heart<\/span><\/p>\n

Francesca Heart is an Italian Grammy-nominated composer, producer and performer. With volcanic and marine roots in Southern Italy, her music weaves together emotional landscapes inspired by Mediterranean mythology.<\/span><\/p>\n

Her production research includes <\/span>Eurybia<\/span><\/i> and <\/span>Sphinx Nouvelle<\/span><\/i>, released by the US label Leaving Records. Her work has been recognised by Pitchfork, Vogue Italia and Bandcamp Daily for its visionary fusion of ambient music, ceremonial forms and electronics.<\/span><\/p>\n

She has collaborated with artists such as Kamasi Washington, Carlos Ni\u00f1o, Saul Williams and Vica Pacheco, working across experimental music, performance art and installation.<\/span><\/p>\n","protected":false},"featured_media":7126,"template":"","_links":{"self":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/event\/7125"}],"collection":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media\/7126"}],"wp:attachment":[{"href":"https:\/\/studiorizoma.org\/pt-pt\/wp-json\/wp\/v2\/media?parent=7125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}