{"id":5079,"date":"2025-03-07T18:40:33","date_gmt":"2025-03-07T17:40:33","guid":{"rendered":"https:\/\/studiorizoma.org\/?post_type=residence&#038;p=5079"},"modified":"2025-03-07T18:41:21","modified_gmt":"2025-03-07T17:41:21","slug":"manfredi-clemente","status":"publish","type":"residence","link":"https:\/\/studiorizoma.org\/fr\/residence\/manfredi-clemente\/","title":{"rendered":"Manfredi Clemente"},"content":{"rendered":"<p><strong>Manfredi Clemente<\/strong>\u00a0is an electroacoustic composer and sound artist whose work explores the evocative potential of recorded sound. His research examines the intersection of culture and nature, drawing on ecological, aesthetic, and mythopoeic perspectives. Through the use of field recordings, analog feedback, and synthesized sound, his compositions evoke a sense of materiality, organicity and space central to his artistic vision.<\/p>\n<p>&nbsp;<\/p>\n<p>He completed his PhD in Electroacoustic Composition at the University of Birmingham in 2017, under the supervision of Jonty Harrison. He has taught at several Italian conservatories and is now Professor of Electroacoustic Composition at the Conservatorio A. Vivaldi of Alessandria. Manfredi has also been a member of B.E.A.S.T. (Birmingham ElectroAcoustic Sound Theatre) between 2012 and 2017; between 2011 and 2016 he has led the installation and performance of the acousmonium for the FMC \u2013 Contemporary Music Festival of Cagliari. Starting in 2017, he worked as an A\/V technician and sound engineer at Teatro Massimo in Palermo, where he later served as the chief sound engineer for audio recording and broadcasting from 2020 to 2021, collaborating with renowned conductors such as Daniele Gatti, Marc Albrecht, Roberto Abbado, Omer M. Wellber, Daniel Oren. He is the founder of Almavox, a project based in Turin and focused on territorial explorations committed to the production of experimental music with a strong ecological imprint.<\/p>\n<p>&nbsp;<\/p>\n<p>His interest in theatre and the performing arts has led to collaborations with artists and companies such as Johannes Erath, Kor\u2019sia, Maria Vittoria Bellingeri, Margherita Ortolani, LOT-EK, Gaetano Costa, Dario Enea (Soggettile Teatro), Mar\u00ecka Pugliatti, Cl\u00e9mence Kazemi, Marco Giusti, Jacques Bonnaff\u00e9.<\/p>\n<p>&nbsp;<\/p>\n<p>He has been an artist-in-residence at various independent and institutional organizations, including Ass. Musiques&amp;Recherches (Brussels), Ch\u00e2teauvallon-Libert\u00e9 Sc\u00e8ne Nationale (Toulon), and Ass. APN\u00c9ES (Grenoble).<\/p>\n<p>&nbsp;<\/p>\n<p>Clemente\u2019s work has been performed internationally, earning critical recognition, including the 1st Prize at Prix Russolo (2023), Prix Presque Rien (2019), the GRM Banc d\u2019Essai (2018), and the 1st Prize at DI_Stanze Festival (2014).<\/p>\n","protected":false},"featured_media":5080,"template":"","_links":{"self":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/residence\/5079"}],"collection":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/residence"}],"about":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/types\/residence"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/media\/5080"}],"wp:attachment":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/media?parent=5079"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}