{"id":6348,"date":"2026-03-12T12:04:35","date_gmt":"2026-03-12T11:04:35","guid":{"rendered":"https:\/\/studiorizoma.org\/?p=6348"},"modified":"2026-03-12T12:05:36","modified_gmt":"2026-03-12T11:05:36","slug":"a-focus-on-between-land-and-sea-2025-ep-4-eglise-x-scuola-di-restanza-e-futuro","status":"publish","type":"post","link":"https:\/\/studiorizoma.org\/fr\/editorial\/a-focus-on-between-land-and-sea-2025-ep-4-eglise-x-scuola-di-restanza-e-futuro\/","title":{"rendered":"A focus on: Between Land and Sea 2025\u2028Ep.4 \u2013 \u00c9glise x Scuola di Restanza e Futuro"},"content":{"rendered":"

The Between Land and Sea 2025 catalogue gathered personal contributions reflecting on this edition\u2019s theme, \u201cMeaning,\u201d as a shared space between practices, memories, and visions.<\/p>\n

For the festival, \u00c9glise and Scuola di Restanza e Futuro presented The Act of Staying<\/i>, a public assembly inviting artists, activists, and educators to reflect on restanza in border territories. Born from \u00c9glise\u2019s experience in the Kalsa district, the project is an educational, artistic, and political path that intertwines art, territory, and imagination through three research strands: Disobedient Margin, Ecosystems of Care, and Imaginary Narratives.<\/p>\n

For the School, \u201cMeaning\u201d is a collective process: it emerges from shared experience and from the ability to transform what we live in our territories into knowledge, active memory, and future possibilities.<\/p>\n

 <\/p>\n

\"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a> \"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Between Land and Sea 2025 catalogue gathered personal contributions reflecting on this edition\u2019s theme, \u201cMeaning,\u201d as a shared space between practices, memories, and visions. For the festival, \u00c9glise and Scuola di Restanza e Futuro presented The Act of Staying, a public assembly inviting artists, activists, and educators to reflect on restanza in border territories. […]<\/p>\n","protected":false},"author":3,"featured_media":6349,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/posts\/6348"}],"collection":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/comments?post=6348"}],"version-history":[{"count":2,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/posts\/6348\/revisions"}],"predecessor-version":[{"id":6371,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/posts\/6348\/revisions\/6371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/media\/6349"}],"wp:attachment":[{"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/media?parent=6348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/categories?post=6348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/studiorizoma.org\/fr\/wp-json\/wp\/v2\/tags?post=6348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}